Robocop 2014 Could Alex Have Become Human Again
RoboCop (1987) is a archetype science fiction film, satirizing the consumerism and the sleazy corporate ethics of the Reagan-era. Wildly popular in its twenty-four hours, information technology spawned two sequels, a live-action boob tube series, a mini-series, and several video games, comic books, cartoons and activity figures. And endless rip-offs of which the about recent is Play tricks'southward "Almost Man".
Its rightful place in the pantheon of picture palace history is undisputed, and so naturally the announcement of a remake was inevitable in this age of mass recycling that Hollywood has created to maintain its meal ticket, and was met with outrage by RoboCop fans the globe over. I, along with everyone else, assumed that the remake was going to suck based on annunciation lonely (despite the great bandage that had been assembled, especially Joel Kinnaman in the lead), but also in calorie-free of rumors that the director was ambivalent with the studio and being stifled creatively and because the release engagement had been pushed dorsum.
However, when the lights came downwards and the film began I was pleasantly surprised. Thus, this list was built-in. These are the half-dozen reasons why the RoboCop remake doesn't suck.
(Alert: Spoiler Alert. Thank you for your cooperation.)
half dozen. Relevant themes for today'due south audiences
In the original film Alex Murphy is brutally murdered and resurrected past the RoboCop program. He has no retention of his human life and his journey in the motion-picture show is to rediscover his humanity.
In the remake Murphy is virtually killed in a car bombing and living on life support when OmniCorp takes advantage of his situation to gain popularity with the American Public to repeal the Dreyfus Act, a bill which prohibits the employ of Robots to police the United states. In this future, OmniCorp has already replaced the U.South. armed services with robotic drones thus saving endless human lives and is planning to practise the same on native soil.
This incarnation has Irish potato as an amputee before condign RoboCop. Today with the existence of bodily robotic limbs manufactured for amputees, and the current development of robotic delivery drones by Amazon and other companies, these concepts are non then far-fetched; they're nearer to science fact than scientific discipline fiction.
5. Murphy's memory is not erased
In the original, Alex Potato's memory has been wiped cleaned when he becomes RoboCop and the bug of his past life are on the periphery of a story most the corporate destruction of a human soul in favor of an efficient machine.
The Remake fills in the blanks of RoboCop's creation with his memory remaining intact when he is revived, exploring the trial and error procedure of the scientist, Dr. Dennett Norton (Gary Oldman), who must alter the existing robot-human hybrid to meet the requirements of Raymond Sellars (Michael Keaton), the CEO of OmniCorp.
The remake delves more deeply into the human element of the story, with White potato waking up horrified at beingness kept alive as a auto, begging them to only allow him die, and then struggling to interact with his family, 1 that he can no longer be a role of in whatever normal way. We see the illogic and futility of a human life saved just for that person to be unable to truly alive it, illustrating the ultimate limitations of technology.
iv. Futuristic Detroit is always cool
Even though the remake takes place in a dystopic version of Detroit in 2028, the urban center has never looked better. Filmed mostly in Canada, the remake makes Detroit wait like a pretty squeamish urban center considering information technology has the highest criminal offense rate in the state and a drug kingpin named Vallon paying off the police master to maintain a stranglehold on his criminal empire. Mayhap Michigan should ditch those tv and radio spots that Tim Allen narrates and get Jose Padilha to direct some tourism commercials for them.
The original created a futurity that was an urban-industrial wasteland riddled with drugs and law-breaking. The remake notwithstanding portrays a future that doesn't look much different than nowadays-24-hour interval except for their advanced technological capabilities. It is of grade a urban center overtaken by offense and drugs still, but a more or less gleaming and clean city. The more I think virtually it I estimate this part of the remake actually does suck. I digress.
Hopefully this moving-picture show is actually a premonition of what the future holds in shop for Detroit. Or the filmmakers at least donate some of the profits to putting that place back together.
3. The Cast Rules
Let'south face it, no 1 can out-do Peter Weller in the original.
5 months of preparation to develop the movements of RoboCop with Moni Yakim (at the fourth dimension the Caput of the Dept. of Movement at Julliard) combined with an oddly expressive lower face and a dedication to going so method every bit to request that the bandage and crew refer to him only as "Robo" (at to the lowest degree until Paul Verhoeven found information technology too ridiculous to breadbasket) made for an indelible screen performance. Rarely was an actor of that caliber the pb in what was essentially a 'comic book'-type film, at least not in 1987. Non to mention the fantastic against-type casting of Kurtwood Smith as the sadistic criminal offense lord Clarence J. Boddicker and Ronny Cox as corporate executive scumbag Dick Jones.
BUT. Joel Kinnaman, fresh off his crawly piece of work as Det. Holder in "The Killing", is an inspired option for the new RoboCop and he delivers a pretty bully performance. (His movements aren't as robotic as Peter Weller, but nosotros'll let it slide). Granted, Kinnaman is given much more face time in this retelling than Weller always had, making his job that much easier, merely he does great still.
Add together in Gary Oldman as Dr. Dennett Norton, the scientist backside RoboCop and perhaps the just character with a conscience, Michael Keaton as Raymond Sellars, the aggressive and unstoppable CEO of OmniCorp, and Samuel L. Jackson every bit Pat Novak, a thinly veiled parody of Neb O'Reilly, forth with Abbie Cornish, Jackie Earle Haley, Jay Baruchel, Michael Kenneth Williams and Zach Grenier. Actors that never disappoint.
ii. 'The Novak Chemical element'
Some of the about memorable moments of the original RoboCop were its satirical newscasts (Media Pause), commercials ("Nuke!"), and sitcoms ("I'd purchase that for a dollar!"). Information technology showed the states a society desensitized to violence (sound familiar?), war, poverty, and obsessed with appearance and wealth. A Detroit that was like a demilitarized zone, shut to the truth then and fifty-fifty closer at present. A abrupt criticism of the country of affairs in America at the time as just a European could give, in this case the great Paul Verhoeven.
The remake manages to comprise its own version of satire with: "The Novak Element" a fictional news show hosted past Pat Novak, ferociously played by Samuel L. Jackson, as a very thinly veiled parody of Bill O'Reilly. These segments punctuate the flick with Novak's bombastic rightwing views on robots, OmniCorp and the exploits of RoboCop. They are the most brilliant and hilarious parts of the film.
Simply put, Samuel Fifty. Jackson lampooning Bill O'Reilly. I'd buy that for a dollar.
i. Potential to create a better franchise
As I've said already, 1987'southward RoboCop was a classic. Merely RoboCop two, on the other hand, was just okay, despite Peter Weller reprising his role and Tom Noonan as Cain aka RoboCop ii. Weller bailed after the first sequel. RoboCop three totally sucked. And the size of the budgets and quality of material dropped off from there. From what I watched of the television serial and the mini-serial on YouTube they both look terrible, extremely low budget with cheesy 1-liners, featuring either toned down violence or over-the-summit-exploitation-violence pretending to be night comedy, and lame attempts to replicate the satire of the original. Surely there'south a expert comic book or video game incarnation of the character out at that place somewhere, but that's nigh it.
The remake leaves off with OCP withal in the shadows every bit the parent visitor of OmniCorp and the potential for the sequel to surpass the outset film in the series. Hopefully, it does well enough at the box office to at least get a chance at a sequel with a good screenwriter the series could really accept off and brand RoboCop a major franchise.
Writer Bio: Kyle Joseph Hintz is a filmmaker and writer based out of Chicago. His love for pic was cultivated at a young age when his male parent would take him to the video shop and let him rent whatsoever he wanted, creating an eclectic cinema palate.
Source: http://www.tasteofcinema.com/2014/6-reasons-why-the-robocop-remake-doesnt-suck/
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